中国山水画色彩运用植根于传统法度，以“随类赋彩”为理论根基，提炼物象典型特征，彰显意象之美；核心遵循“色 墨相映”原则，以墨为主体、色为辅助，通过墨色交融、冷暖调和达成和谐之美。同时，色彩运用注重虚实、浓淡、疏密的 节奏变化，以“计白当黑”“藏露相宜”营造节奏之美；并以色彩为情感与意境载体，契合真境与时境变迁，传递创作者情 志，实现意与境的融合。此外，通过巧用不同材质颜料，展现肌理之美。

The color application in Chinese landscape painting is rooted in traditional norms, with "coloring according to categories" as its theoretical foundation. It refines the typical characteristics of objects to highlight the beauty of imagery. Centered on the principle of "harmony between ink and color", it takes ink as the main body and color as the supplement, achieving the beauty of harmony through the integration of ink and color as well as the balance of cold and warm tones. Meanwhile, the use of color emphasizes rhythmic changes in emptiness and solidity, density and lightness, creating the beauty of rhythm by adhering to the concepts of "treating blank space as black" and "appropriate revelation and concealment". Moreover, color serves as a carrier of emotion and artistic conception, adapting to the changes of real scenes and temporal contexts, conveying the creator's sentiments and realizing the integration of meaning and scene. In addition, the beauty of texture is displayed through the ingenious use of pigments of different materials.