莫高窟壁画作为中国古代艺术的重要遗存，其色彩语言承载了丰富的历史文化信息与艺术创造力。第285 窟的《五百 强盗成佛图》是西魏时期故事画的经典之作，其色彩配置以鲜明的视觉表现力与独特的技法体系著称，为研究古代壁画色彩 美学提供了范例。本文立足于艺术学视角，对其艺术特征与色彩配置进行系统分析，以揭示壁画色彩在形式构成、视觉叙事 及材料工艺中的核心逻辑，为传统艺术语言的当代解读提供理论支持。
Abstract
As an important relic of ancient Chinese art, the murals in Mogao Grottoes carry rich historical and cultural information and artistic creativity with their color language. Five Hundred Robbers Becoming Buddhas in Cave 285 is a classic story painting of the Western Wei Dynasty. Its color configuration is famous for its vivid visual expression and unique technique system, which provides a typical example for the study of the color aesthetics of ancient mural paintings. Based on the perspective of art, this paper systematically analyzes its artistic characteristics and color configuration, in order to reveal the core logic of mural color in form composition, visual narrative and material technology, and provide theoretical support for the contemporary interpretation of traditional art language.
关键词
莫高窟壁画 /
五百强盗成佛图 /
视觉色彩配置
Key words
Murals in Mogao Grottoes /
Five Hundred Robbers become Buddhas /
Visual Color Configuration
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参考文献
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[2]张鑫淼.敦煌壁画艺术在综合材料绘画中的再创作研究[D].兰州:西北民族大学,2023.
[3] 王雪婷, 曹舟凡, 丁晓宏. 视觉艺术符号学视域下莫高窟壁画解析[J]. 中国包装,2022,42(12):60-62.
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