本文探讨当代重彩画对古代壁画色彩资源的利用路径与价值转化。古代壁画色彩作为历史文化的视觉载体，以矿物 颜料（石青、朱砂等）的质感、叠色晕染的技法及地域特色色调（如敦煌青绿、永乐宫重彩），构建了丰富的传统色彩体系。 当代重彩画通过直接借鉴经典色彩组合、重构色彩比例适配现代审美，实现色彩元素的再创造；在技法与材料上，延续“随 类赋彩”原则，融合丙烯、金属箔等现代材料，拓展表现力；同时将壁画中宗教象征色转化为对自然、人性的当代诠释，赋 予传统色彩新的情感内涵。敦煌、永乐宫壁画的现代演绎案例显示，这种利用既保留传统厚重感，又推动重彩画从装饰性向 观念性表达的突破，为传统文化传承与当代艺术创新提供了平衡路径。

This paper explores the utilization path and value transformation of ancientals' color resources in contemporary heavy color painting. As a visual carrier of historical culture, the colors of ancient murals, with the texture of mineral pigments (such as azite and cinnabar), the technique of overlapping color gradation, and the regional characteristic color (such as Dunhuang's green and blue and Yongle Palaces heavy color), have constructed a rich traditional color system. Contemporary heavy color painting directly borrows classic color combinations, reconstructs color proportions to adapt to modern aesthetics, and the re-creation of color elements. In terms of techniques and materials, it continues the principle of "assigning colors according to categories", integrates modern materials such as aclics and metal foils, and expands the expressive power. At the same time, it transforms the religious symbolic colors in murals into contemporary interpretations of nature and humanity, andows traditional colors with new emotional connotations. The modern interpretation cases of Dunhuang and Yongle Palace murals show that this utilization not only retains the traditional sense of thickness but promotes the breakthrough of heavy color painting from decorative to conceptual expression, providing a balanced path for the inheritance of traditional culture and the innovation of contemporary art.