色彩是水彩艺术的重要表现语言，“水”“色”的协奏是色彩的灵魂，地处岭南之地的广东，由于特有的气候环境， 厚重的文化积淀和开放包容的人文特点，在用水技法与色彩语言建构方面形成了独特的艺术风格。本文从系统角度研究广东 水彩画中“水”“色”互动的内在规律，剖析其水色协奏的独特美学意蕴。从湿画渗化中的色彩晕染、精准控水下的色彩叠 加，到水痕塑造中的色彩肌理生成以及综合材料融合所带来的色彩拓展，通过老一辈艺术家陈海宁、黄增炎以及新生代表梁 国辉、苏军权等创作案例来展现广东水彩画作在色彩语言表达上由经验总结走向规范建构的过程。研究证实：用水技法与色 彩语言构建既为广东水彩画美学体系的形成奠定了坚实基础，更是形成具有地域特征“广派水彩”风格并承载时代精神的重要表现形式。

Color is the primary expressive language of watercolor art, with the interplay of "water" and "color" forming its soul. Located in the Lingnan region, Guangdong has developed a unique artistic style in watercolor techniques and color language due to its distinctive climate, profound cultural heritage, and open, inclusive humanistic characteristics. This study systematically examines the intrinsic principles of the interaction between "water" and "color" in Guangdong watercolor paintings, analyzing the distinctive aesthetic connotations of their harmonious interplay. From the color blending in wet-on-wet techniques, precise layering under controlled water application, to the texture generation in water mark shaping and the color expansion achieved through mixed media integration, the paper traces the evolution of Guangdong watercolor's color language from experiential summarization to standardized construction through the works of veteran artists such as Chen Haining and Huang Zengyan, as well as emerging talents like Liang Guohui and Su Junquan. Research confirms that the interplay of watercolor techniques and color language not only establishes a solid foundation for the aesthetic system of Guangdong watercolor but also serves as a vital expressive form that embodies regional characteristics and carries the spirit of the times, giving rise to the distinctive "Guangdong School of Watercolor.