摘要
艺术作品中的色彩语言是一种通过视觉传达情感的重要表现方式。它借助色彩的对比与和谐,为观者提供丰富的感官刺激,并引导其感受创作者内在的艺术精神内核。本文通过分析胡日查油画作品中的色彩语言,探讨其中所表现的少数民族游牧生活与草原文化,进而理解其艺术风格的独特之处。通过对蒙古族油画绘画语言风格的分析,能够让更多热爱艺术的人了解这一具有鲜明特色的艺术形式。独特的草原地域环境塑造了蒙古族画家深厚的文化底蕴、鲜明的民族性格以及独特的审美特征。
Abstract
In artworks, the language of color is a crucial means by which emotions are conveyed through visual expression. By employing the contrast and harmony of colors, viewers are offered with rich sensory stimulation, and they are guided to perceive the inner artistic spirit of the creator. In this article, the color language in Hu Richa's oil paintings is analyzed, and the nomadic life of ethnic minorities and grassland culture, as represented in his works, are explored, thereby allowing for an understanding of the unique characteristics of his artistic style. Through the analysis of the Mongolian style of oil painting language, more art enthusiasts can be led to an understanding of this distinctive art form. The unique grassland environment has shaped Mongolian painters with profound cultural heritage, distinct national character, and unique aesthetic features.
关键词
胡日查 /
蒙古族油画 /
色彩语言 /
草原文化 /
民族艺术
Key words
Hu Richa /
Mongolian Oil Painting /
Color Language /
Grassland Culture /
Ethnic Art
毕力格.
草原的色彩诗学——胡日查油画中的蒙古族色彩语言研究[J]. 色彩. 2025, 43(9): 103-105
Bi Lige.
The Poetics of Color in the Grasslands——A Study of Mongolian Color Language in Hu Richa's Oil Paintings[J]. Color. 2025, 43(9): 103-105
{{custom_sec.title}}
{{custom_sec.title}}
{{custom_sec.content}}
参考文献
[1][3] 张剑磊.内蒙古当代本土油画色彩语言研究[D].杭州:浙江理工大学,2014:1+6.
[2] 苏鲁格. 蒙古族宗教史[M].沈阳:辽宁民族出版社,2006:12.
[4] 牟钟鉴,张践. 中国宗教通史(修订版)[M]. 北京:社会科学文献出版社,2003:18.
[5] 乌力吉. 印象之美—蒙古族传统美术.刺绣[M].呼和浩特:内蒙古人民出版社,2017:141.
[6] 王佳星. 对内蒙古风景画浑厚感刻画的研究与实践[D].呼和浩特:内蒙古师范大学,2013:7.
[7] 张璨. 内蒙古主题性油画创作的色彩表现研究[J].色彩,2025(3):101-103.
[8] 顾迪. 油画创作中的色彩表现及情感传达技巧探究[J].色彩,2025(4):90-92.
[9] 李诗文.色彩之诗:周碧初油画“民族化”实践的思想与路径[J].上海艺术评论,2025(3):40-43.
[10] 宋生贵. 传承与超越:当代民族艺术之路[M].北京:人民出版社,2007:190.