合成色彩的出现不仅仅是材料层面的技术革新,它更意味着艺术史与科学史的深度交汇。色彩的历史并非纯粹的审美史,而始终与技术发明、社会变迁、艺术观念紧密互动。从苯胺染料的工业生产,到群青与钛白粉的广泛应用,再到潘通色彩系统与数字时代的RGB颜色模型,合成色彩的普及使艺术创作的物质条件发生改变,也推动现当代艺术关于视觉、形式与表现的根本转向。
Abstract
The emergence of synthetic color was not merely a technical innovation in materials; it signified a deep convergence between the histories of art and science. Color’s history is far from a purely aesthetic narrative, instead entwined with technological invention, social change and evolving artistic ideas. From the industrial production of aniline dyes, through the widespread adoption of synthetic ultramarine and titanium white, to the development of the Pantone color system and digital RGB color models, the diffusion of synthetic hues reshaped the material conditions of art-making and propelled fundamental shifts in visual form and expression in the modern and contemporary periods.
关键词
合成色彩 /
现代艺术 /
当代艺术
Key words
Synthetic Color /
Modern Art /
Contemporary Art
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