The global competition in the cultural and creative industries has developed in depth toward the cultural core. As dual visual symbols of Chinese cultural context, traditional patterns and colors are the core of constructing a discourse system for local cultural and creative design. At present, the application of patterns and colors in cultural and creative products has problems such as fragmentation, symbolization and blind appropriation, which weaken cultural recognition and global communication capacity. Focusing on typical patterns and their colors, this paper uses the field investigation method to explore the adaptive logic, constructs an aesthetic and demand differentiation map of pattern and color, and establishes a design system path for cultural and creative products centered on patterns and colors. The research shows that based on the cultural matrix and anchored in the color keynote, this system realizes the transformation of value paradigm from symbols to products, empowering the globalization of China's cultural and creative product design.
Key words
Traditional Patterns /
Color Design /
Cultural and Creative Products /
Design Paradigm
{{custom_sec.title}}
{{custom_sec.title}}
{{custom_sec.content}}
References
[1] 甘朝阳. 中国传统色彩元素的特征、技法与运用创新[J]. 色彩,2024(12):87-90.
[2]薄雯泽.现代平面设计中色彩设计对视觉传达效果的影响研究[J].色彩,2025(7):5-8.
[3] 王选政, 李杰. 中国设计新范式在传承创新中前行的不定式[J].设计,2024,37(6):14-25.
[4] 张祖耀. 博物馆数字文创产品叙事设计研究[D]. 杭州: 中国美术学院,2024.
[5]Zhou C J, Han Z X. Research on the design of museum cultural and creative products under the background of new
cultural and creative culture[C]//Proceedings of the 3rd International Conference on Public Art and Human Development (ICPAHD 2023).SHS Web of Conferences, 2024, 183: 01001.