This article uses the three colors black, white, and red in "Goose Mountain" to propose the concept of "ink bones and crimson soul". By integrating traditional Chinese color theory with modern color theory, it analyzes how black, white, and red form a color narrative from the perceptual, associative, and symbolic levels. The study suggests that black and white form the narrative framework through the formal tradition of “ink divided into five colors” and the spatial philosophy of "using white as black", while red carries the soul of emotion and philosophical reflection through the expressive logic of “coloring according to type.” Together, in a structure of tension, these colors jointly present a contemporary interpretation of the aesthetic realm of classical Chinese art.