本文以孔府旧藏文物为研究对象，分析中国传统色彩的文化根基及其在文物上的外在表现。中国传统色彩深受自然 影响，形成以青、赤、黄、白、黑为主的五色体系，在历朝历代的朝代更迭中呈现出不同的变化。孔府旧藏文物是孔子后裔 传世生活用品与祭祀器具，这些文物中的色彩运用反映了不同历史时期的工艺技术、社会文化及政治宗教，承载了一些儒家 思想与等级秩序的内涵。文章通过对孔子博物馆藏孔府旧藏明万历蓝地妆花纱蟒衣、清雍正黄地彩绘缠枝牡丹纹铜胎画珐琅 五供、清乾隆粉彩“福禄寿”鹿头尊三件典型文物的色彩谱系进行分析，揭示色彩在美学、文化传承中的重要作用，为现代 设计与艺术创作提供传统色彩的美学借鉴。

This paper focuses on the cultural artifacts from the ancient collection of the Kong Family Mansion, analyzing the cultural foundations of traditional Chinese colors and their manifestations in these artifacts. Traditional Chinese colors, deeply influenced by nature, evolved into a five-color system—green-blue, red, yellow, white, and black—which underwent dynamic transformations across dynasties. The Kong Family Mansion’s artifacts, comprising heirloom household items and ritual vessels preserved by Confucius’ descendants, reflect the craftsmanship, socio-cultural contexts, and political-religious ideologies of different historical periods, while embodying Confucian principles and hierarchical order. Through analyzing the chromatic schemes of three representative artifacts—the Ming Dynasty Wanli-era blue satin brocade python robe, the Qing Dynasty Yongzheng-era yellow-ground enamel sacrificial offerings with painted peony motifs, and the Qing Dynasty Qianlongera famille-rose "Fortune, Prosperity, Longevity" deer-head vase—this study reveals the pivotal role of color in aesthetics and cultural continuity, offering traditional chromatic aesthetics as a reference for contemporary design and artistic creation.