19 世纪油画中红色色淀色料的老化与保护研究

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色彩 ›› 2025, Vol. 43 ›› Issue (11) : 52-55.

科技

19 世纪油画中红色色淀色料的老化与保护研究

欧阳婧依

作者信息 +

Aging and Conservation of Red Lake Pigments in 19th-Century Oil Paintings

Ouyang Jingyi

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文章历史 +

摘要

本文系统梳理了19 世纪油画中常见的红色色淀色料的应用历史、制备工艺与老化机理。通过列举梵高和雷诺阿的多件油画作品，印证了19 世纪红色色淀色料老化的必然性及其对作品色彩真实性的改写。研究红色色淀色料的衰退，不仅能修正后世学者对部分印象派作品的误读，更能使学者和大众正视艺术品原貌与历史的真实。

Abstract

This paper systematically sorts out the evolution, chemical compositions, preparation processes, and aging mechanisms of common red lake pigments in 19th-century oil paintings. By enumerating multiple oil paintings by Vincent van Gogh and Pierre-Auguste Renoir, it confirms the inevitability of the aging of red lake pigments in the 19th century and its rewriting of the authenticity of the works' colors. Studying the degradation of red lake pigments can not only correct the misinterpretations of some Impressionist works by later scholars but also uphold the original appearance of artworks and historical truth.

导出引用

欧阳婧依. 19 世纪油画中红色色淀色料的老化与保护研究[J]. 色彩. 2025, 43(11): 52-55

Ouyang Jingyi. Aging and Conservation of Red Lake Pigments in 19th-Century Oil Paintings[J]. Color. 2025, 43(11): 52-55

参考文献

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