光影与色彩关系对绘画作品视觉表现力的影响研究

黄若妍

色彩 ›› 2025, Vol. 43 ›› Issue (11) : 82-84.

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色彩 ›› 2025, Vol. 43 ›› Issue (11) : 82-84.
艺术

光影与色彩关系对绘画作品视觉表现力的影响研究

  • 黄若妍
作者信息 +

The Influence of the Relationship between Light and Color on the Visual Expressiveness of Painting Works

  • Huang Ruoyan
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文章历史 +

摘要

光影与色彩作为油画艺术的核心表现要素,其相互关系能深刻塑造作品视觉魅力。研究采用理论分析方法,从光影 色彩的调节机理入手,系统探讨其对油画视觉表现力的影响机制。结果表明,光影色彩关系通过空间深度营造、画面节奏控 制、情感氛围传达以及视觉冲击强度四个维度影响油画的视觉表现效果,其中,光源处理技法的强化、明暗布局的优化、色 彩温度的调控以及对比关系的精确平衡是提升画面视觉表现力的关键途径。光影色彩关系的科学运用能够显著增强油画作品 的艺术感染力与审美价值。

Abstract

As the core expressive elements of oil painting, the interplay between light, shadow, and color profoundly shapes a work's visual appeal. This study employs theoretical analysis to systematically explore how these elements influence the visual expressiveness of oil paintings through their regulatory mechanisms. The findings reveal that light-shade-color relationships impact oil paintings' visual effects through four dimensions: spatial depth creation, rhythmic composition control, emotional atmosphere transmission, and visual impact intensity. Key approaches to optimizing visual expressiveness include enhancing light source techniques, refining chiaroscuro arrangements, adjusting color temperature, and achieving precise balance in contrast relationships. The scientific application of light-shade-color relationships significantly enhances the artistic impact and aesthetic value of oil paintings.

关键词

光影色彩 / 视觉表现力 / 油画技法 / 空间营造

Key words

Light and Shadow Color / Visual Expressiveness / Oil Painting Technique / Space Construction

引用本文

导出引用
黄若妍. 光影与色彩关系对绘画作品视觉表现力的影响研究[J]. 色彩. 2025, 43(11): 82-84
Huang Ruoyan. The Influence of the Relationship between Light and Color on the Visual Expressiveness of Painting Works[J]. Color. 2025, 43(11): 82-84

参考文献

[1] 王邵秋. 光与形: 莫奈和塞尚的色彩[J]. 色彩,2024(11):76-78.
[2] 查琳慧. 光影在高温颜色釉绘画中运用的作用与表现解析[J]. 陶瓷研究,2024,39(4):128-130.
[3] 王端端. 空间的诗意: 莫奈绘画色彩的光影视觉体验[J]. 吕梁学院学报,2023,13(5):73-80.
[4] 徐立新. 光影表现手法在中国画中的运用分析[J]. 美与时代( 中),2022(12):54-56.
[5] 李成军. 再识光影的艺术价值[J]. 美与时代( 下),2021(1):69-70.

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