珐琅彩的色彩审美变迁及其文化动因研究

勾婧涵

色彩 ›› 2025, Vol. 43 ›› Issue (11) : 88-90.

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色彩 ›› 2025, Vol. 43 ›› Issue (11) : 88-90.
艺术

珐琅彩的色彩审美变迁及其文化动因研究

  • 勾婧涵
作者信息 +

Research on the Change of Enamel Color Aesthetic and its Cultural Motivation

  • Gou Jinghan
Author information +
文章历史 +

摘要

本文以珐琅彩的历史发展脉络为线索,以珐琅彩在康雍乾的色彩特点、装饰风格及工艺技术为视角,探讨社会环境 对其工艺产生及审美风格变化的影响。在中西文化交流及社会思潮的变革中,通过对比三朝珐琅彩的特征探究不同时代背景 下的审美诉求,试图以宫廷审美取向与时代精神的变化探寻珐琅彩色彩审美变迁的原因,为当下的珐琅彩创新起到抛砖引玉 的作用。

Abstract

This study traces the historical evolution of cloisonné enamel, examining its color characteristics, decorative styles, and craftsmanship during the Kangxi, Yongzheng, and Qianlong reigns. It analyzes how social environments shaped the craft's development and aesthetic transformations. Through comparative analysis of cloisonné enamel from three dynasties, the research explores evolving aesthetic demands across different historical contexts. By examining shifts in imperial aesthetic preferences and the spirit of each era, the paper seeks to uncover the driving forces behind the color aesthetics of cloisonné enamel. Ultimately, this work aims to spark contemporary innovation in the craft, serving as a modest inspiration for the innovation of enamel painting in the contemporary era.

关键词

珐琅彩 / 审美变迁 / 文化动因 / 清三代

Key words

Enamel Painting / Aesthetic Change / Cultural Motivation / Three Dynasties of Qing

引用本文

导出引用
勾婧涵. 珐琅彩的色彩审美变迁及其文化动因研究[J]. 色彩. 2025, 43(11): 88-90
Gou Jinghan. Research on the Change of Enamel Color Aesthetic and its Cultural Motivation[J]. Color. 2025, 43(11): 88-90

参考文献

[1] 王健华. 清代宫廷珐琅彩综述[J]. 故宫博物院院刊,1993(3):52-62+98.
[2][5] 周敏. 康雍乾三帝与珐琅彩瓷[J]. 陶瓷研究,2024,39(4):52-54.
[3][4][8] 刘媛. 康雍乾珐琅彩瓷装饰特征演变研究[J]. 陶瓷研究,2020,35(2):43-45.
[6] 马琛. 浅谈清康雍乾珐琅彩瓷器[J]. 收藏家,2020(2):77-84.
[7][9] 张楚. 东西方美学的交错: 乾隆珐琅彩瓷的艺术表现[J]. 陶瓷,2025(3):30-32.

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