本文以谢赫“随类赋彩”画论为切入点，梳理其理论渊源，挖掘花鸟画色彩的传统内涵，并以此为基础，将花鸟画 色彩在“随类赋彩”原则下的“以真为基、以意为魂、以和为美”的逻辑层次和绘画表现展开阐述，在此基础上探析当代花 鸟画色彩逻辑的传承与创新，力求为当下花鸟画色彩传承提供理论思路，促进传统绘画美学在当代语境中的转换与应用。

This article takes Xie He's theory of "coloring according to category" as the entry point, sorts out its theoretical origin, explores the traditional connotation of the color in flower-and-bird painting, and on this basis, elaborates on the logical level and painting expression of the color in flower-and-bird painting under the principle of "coloring according to category", which is "based on truth, with meaning as the soul, and with harmony as beauty". On this basis, it explores the inheritance and innovation of the color logic in contemporary flower-and-bird painting It strives to provide some theoretical ideas for the inheritance of colors in current flower-and-bird paintings and promote the transformation and application of traditional painting aesthetics in the contemporary context.