大卫•霍克尼的“泳池”系列是20 世纪后期具象绘画的重要代表之一，采用色块分割构图方式，重新定义了画面空 间与视觉节奏。本文以《更大的水花》《艺术家肖像（泳池与两个人像）》和《用纸与蓝色墨水做成的泳池》为研究对象， 探讨色块分割在其创作中的具体运用。首先，界定色块分割构图的概念及方法框架；其次，分析主色场、次色场与强调色在 “泳池”系列中的色彩结构与心理效应；最后，探讨水的图式表现，阐述二次分割如何生成视觉节奏与隐喻内涵。研究表明， 霍克尼通过理性与感性的色块编排，将泳池这一日常场景转化为既具装饰性又富有空间感的视觉结构，巧妙地融合了写实与 抽象的元素。

David Hockney's Swimming Pool series is one of the important representatives of figurative painting in the late 20th century., using color block division composition to redefine the space and visual rhythm of the picture. This paper takes "Bigger Splash", "Portrait of an Artist (Pool and Two Portraits)" and "Sun Pool" as the research objects, and explores the specific use of color block segmentation in their creations. Firstly, the concept and method framework of color block segmentation composition are defined. Then, the color structure and psychological effects of the main color field, secondary color field and accent color in the pool series are analyzed. Finally, the schematic representation of water is discussed, and the metaphorical connotation of quadratic segmentation is explained. Research shows that Hockney transforms the everyday scene of the pool into a visual structure that is both decorative and spatial, skillfully blending realistic and abstract elements through rational and sensual color block choreography.