在艺术多元发展进程中，中国画写意山水和西方印象派风景油画色彩，作为处于不同文化背景下的艺术表现样式， 受到了广泛关注，写意山水着重强调情趣以及意境营造，希望能够追求心灵同自然的相互交融，而印象派风景油画色彩则十 分注重光影捕捉以及色彩表现，尝试去还原自然的生动情形。虽说二者在工具、技法以及文化根源方面存在差异，然而在对 自然的观察与呈现、对情感的传递等层面却存在共同之处，它们都尝试突破传统的限制，凭借独特的语言方式来呈现对世界 的感知，本文旨在深入剖析写意山水与印象派风景油画色彩在艺术理念、创作手法等方面的共通性，期望以此推动对这两种 艺术形式更为全面的理解与认知。

In the process of the diversified development of art, the freehand landscape painting of Chinese painting and the color of Western Impressionist landscape oil painting, as artistic expression styles under different cultural backgrounds, have received extensive attention. Freehand landscape painting emphasizes the creation of interest and artistic conception, hoping to pursue the mutual integration of the soul and nature, while the color of Impressionist landscape oil painting pays great attention to the capture of light and shadow and the expression of color. Try to restore the vivid scenes of nature. Although the two differ in terms of tools, techniques and cultural roots, they share commonalities in aspects such as the observation and presentation of nature and the transmission of emotions. Both attempt to break through traditional limitations and present their perception of the world through unique language methods. This article aims to deeply analyze the commonalities in artistic concepts and creative techniques between freehand landscape and Impressionist landscape oil paintings in terms of color, with the expectation of promoting a more comprehensive understanding and recognition of these two art forms.