以导演为创作轴心的电影类型，其色彩处理突破了传统影片让色彩屈从于叙事的创作模式，构建出兼具独特美学表 达与艺术识别度的创作框架。文章从色彩符号的独特编码体系、叙事的主体性规律以及风格的历时性传承三个角度，解读作 者电影色彩审美的个体化建构逻辑，阐释导演借助色彩符号将其艺术意志与观念体系外化为视觉语言的方式，从美学层面拓 展对作者电影艺术特质的认知维度。

As a film genre centered on the director as the core creator, auteur cinema has broken through the traditional cinematic mode where color is subordinated to narration in its color treatment, and constructed a creative framework with both unique aesthetic expression and artistic recognizability. From three perspectives—the unique coding system of color symbols, the subjective laws of narration, and the diachronic inheritance of style—this paper, combined with case studies of important auteur films, interprets the individual construction logic of color aesthetics in auteur cinema. It also expounds on the way directors externalize their artistic will and conceptual systems into visual language by means of color symbols, and expands the cognitive dimension of the artistic characteristics of auteur cinema from an aesthetic perspective.