水彩自明末清初从西方传入中国已三百余年，在发展过程中“中西文化”兼容并蓄，其色彩技法与表达形式上吸收 了西方的传统经典，色彩美学上融合了中国传统民族文化及本土时代精神，体现出新的东方审美意趣及中国文化面貌。本文 以当代水彩的色彩美学为切入点，结合东方审美意蕴、色彩时代观念、地域特色语言等多维度展开研究，探讨色彩如何与本 土文化融合，传承中国本土文化之美。

Since its introduction to China from the West in the late Ming and early Qing dynasties, watercolor painting has undergone a history of more than 300 years. Throughout its development, it has embraced both Chinese and Western cultures, absorbing traditional Western techniques and expressive forms in terms of color application, while integrating traditional Chinese ethnic culture and contemporary local spirit in terms of color aesthetics. This synthesis reflects a new Eastern aesthetic appeal and the cultural identity of China. This paper explores how color integrates with and transmits the beauty of Chinese local culture from multiple perspectives, including Eastern aesthetic connotations, contemporary concepts of color, and regionally distinctive visual language.