南疆民居门的装饰技艺作为多元文化融合的产物，其色彩不仅呈现鲜明的视觉特征，更作为一种符号主动参与乡村 文旅的叙事建构。在新疆南疆民居门的常见色彩中，如绿、蓝、黄、白、红等，多见色彩通过象征性叙事凝聚地域文化记忆 与自然隐喻；通过结构性叙事划分空间界限与节奏，强化门作为阈限空间的过渡属性；通过情感性叙事营造氛围，引导情感 转换，使乡民日常进出居所门的行为升华为仪式体验。最终，色彩作为一种符号性建构，将南疆民居门从物理空间转变为饱 含文化意义与情感深度的叙事空间。

The decorative artistry of Southern Xinjiang residential doors, as a product of multicultural integration, features colors that not only exhibit distinct visual characteristics but also actively participate in the narrative construction of rural cultural tourism as symbolic elements. In the common color schemes of these doors—such as green, blue, yellow, white, and red—color functions in multiple dimensions: through symbolic narrative, it condenses regional cultural memory and natural metaphors; through structural narrative, it delineates spatial boundaries and rhythms, reinforcing the door’s role as a liminal threshold; and through emotional narrative, it creates atmospheric tones that guide emotional transitions, elevating the daily act of passing through the door into a ritualistic experience. Ultimately, as a symbolic construct, color transforms Southern Xinjiang residential doors from mere physical spaces into narrative spaces rich in cultural meaning and emotional depth.