本文以云南省普洱市澜沧拉祜族自治县惠民镇糯干古寨为研究对象,在生态美学视角下探讨其傣族干栏式建筑的色 彩特征与数字化保护路径。本文通过五天实地踏勘,综合运用观察、影像记录、色卡比对与访谈等方法,梳理了村寨建筑色 彩的类型、分布及其与自然环境的关联。研究表明,糯干古寨建筑以棕、青等低彩度自然色为基调,红、绿等象征色为点缀, 整体呈现与古茶林生态相协调的视觉特征。针对旅游开发背景下传统色彩面临的变异风险,本文提出以轻量化数字建档、 AR 阐释与社区参与为核心的数字化保护与活化思路,以期为传统聚落建筑色彩的保护、传承与活化提供参考。
Abstract
This study examines the color characteristics and digital conservation pathways of the Dai stilted architecture in Nuogan Ancient Village, Huimin Town, Lancang Lahu Autonomous County, Pu'er City, Yunnan Province, from the perspective of ecological aesthetics. Based on a five-day field investigation, methods including observation, photographic documentation, color card comparison, and interviews were employed to identify the types and spatial distribution of architectural colors and their relationship with the natural environment. The research reveals that the village's architecture is characterized by lowsaturation natural tones—primarily brown and greenish-gray—accentuated by symbolic colors such as red and green, collectively forming a visual harmony with the surrounding ancient tea forest ecosystem. In light of the risks posed by tourism development to traditional color systems, this paper proposes a digital revitalization framework centered on lightweight digital archiving, Augmented Reality (AR) interpretation, and community participation, aiming to offer reference for the preservation and transmission of architectural colors in similar traditional settlements.
关键词
生态美学 /
糯干古寨 /
建筑色彩 /
数字化保护 /
社区参与
Key words
Ecological Aesthetics /
Nuogan Ancient Village /
Architectural Color /
Digital Conservation /
Community Participation
{{custom_sec.title}}
{{custom_sec.title}}
{{custom_sec.content}}
参考文献
[1]Berleant, A. The Aesthetics of Environment[M]. Philadelphia:Temple University Press, 1992.
[2] 曾繁仁. 生态存在论美学论稿[M]. 长春: 吉林人民出版社,2010.
[3]Lenclos, J. P., & Lenclos, D. Colors of the World: The Geography of Color[M]. New York: W. W. Norton & Company, 1999.
[4] 宋建明. 色彩设计在法国[M]. 杭州: 中国美术学院出版社,2006.
[5] 郭建伟. 傣族风土建筑因应特征及文化探源: 以西双版纳地区为例[M]. 北京: 中国纺织出版社,2025.
[6]Fava, F. Ethics and aesthetics of adaptive heritage reuse in Europe: an introduction[J]. Journal of Cultural Heritage
Management and Sustainable Development, 2024, 14(1): 1-14.
[7] 单霁翔. 从“文物保护”走向“文化遗产保护”[M]. 天津: 天津大学出版社,2018.
[8]SUN X, CH'NG E. Evaluating the management of ethnic minority heritage and the use of digital technologies for learning[J].Journal of Cultural Heritage Management and Sustainable Development, 2024,16(7):127-149
[9] 冯佳音. 从“连续性”形而上学到“环境”审美: 论阿诺德• 伯林特环境美学中“连续性”思想的逻辑演进[J]. 中国美学研
究,2022(1):306-320.
[10]ICOMOS. Charter on the Built Vernacular Heritage[Z]. 1999.
[11] 联合国教科文组织. 普洱景迈山古茶林文化景观世界遗产申报文件[Z]. 2023.
[12] 彭兆荣. 文化遗产学十讲[M]. 昆明: 云南教育出版社,2014.
[13] 耿国华, 高健, 汤汶, 等. 文化遗产数字化保护与应用研究综述[J]. 西北大学学报( 自然科学版),2025,55(1):1-22.
[14]周嘉宜,杨辰.行动者视角下的遗产社区识别与形成机制分析[J].城市规划学刊,2024(6):113-120.