长期以来，雕塑创作以体积与量感为核心，色彩始终处于装饰边缘。随着现代视觉文化发展与材料技术的革新，色 彩突破附属地位，成为介入空间、重塑雕塑形式的核心语言。本文打破“雕塑即单色”的固有认知，梳理从古典“白色的神 话”到现代主义“材料本色”的观念演变，结合安尼施\u2022 卡普尔、安东尼\u2022 卡罗等艺术家的创作实践，分析色彩作为审美媒 介与形式手段的双重作用，论证其如何借助物理属性与心理感知的互动，消解物质沉重感、重构作品叙事逻辑。而色彩语言 的觉醒，正是雕塑从静态实体走向动态体验的关键。

For a long time, sculptural creation has centered on volume and mass, while color remained a marginal, decorative element. With the development of modern visual culture and advances in material technology, color has transcended this subordinate role and emerged as a core language for spatial intervention and the reconfiguration of sculptural form. This paper challenges the conventional notion that "sculpture equals monochrome" by tracing the conceptual shift from the classical "myth of whiteness" to the modernist emphasis on material authenticity. Drawing on the practices of artists such as Anish Kapoor and Anthony Caro, it examines the dual function of color as both an aesthetic medium and a formal device. It argues that, through the interaction of physical properties and psychological perception, color can dissolve material heaviness and reconstruct sculptural narrative logic. The awakening of color language thus marks a key transition from static objecthood to dynamic spatial experience.