滇中清代古建筑彩绘色彩是当地民族文化与传统色彩美学融合的视觉载体，既遵循了中国传统色彩体系的秩序性， 又融入当地多民族的审美情趣，其彩绘色彩运用具有鲜明对比与和谐统一的特征。当代设计色彩作为视觉传达的核心要素， 更注重多元化创新与实用功能，色彩强调与现代生活场景、科学技术的结合。本文以滇中清代古建筑彩绘色彩为研究基础， 从色彩构成、载体关联性、文化内涵三个方面，展开与当代设计色彩的对比分析，剖析其异同性，揭示古建筑彩绘色彩的当 代运用价值，为当代设计色彩中传统色彩的传承与创新应用提供理论支撑。

The painted colors of Qing Dynasty ancient architecture in central Yunnan are a visual carrier integrating local ethnic cultures and traditional color aesthetics. Adhering to the orderliness of China’s traditional color system and incorporating multi-ethnic aesthetic tastes, their application features distinct contrast and harmonious unity. As a core element of visual communication, contemporary design colors prioritize diversified innovation and practicality, emphasizing integration with modern life scenarios and advanced technologies. Based on these ancient painted colors, this paper comparatively analyzes them against contemporary design colors from three aspects: color composition, carrier relevance, and cultural connotation. It explores their similarities and differences, reveals the contemporary application value of ancient architectural painted colors, and provides theoretical support for the inheritance and innovative application of traditional colors in contemporary design.