本研究以包豪斯时期施莱默的动态色彩观为核心，通过“理论溯源—戏剧实践解析—教学转译验证”的三层框架， 系统揭示了色彩从“静态装饰符号”向“动态情感语言”的范式转型，本文讨论从理论突破性、实践创新性与当代适配性三 个维度展开，进一步明确该研究的学术价值与应用边界。

Centered on Schlemmer’s Dynamic Color Theory during the Bauhaus period, this study adopts a three-tier framework of "theoretical tracing - analysis of theatrical practice - teaching translation and verification" to systematically reveal the paradigm shift of color from "static decorative symbols" to "dynamic emotional language". The discussion unfolds from three dimensions: theoretical breakthrough, practical innovation, and contemporary adaptability, further clarifying the academic value and application boundaries of this research.