本文以电影《鹅鹅鹅》中的黑白红三色引出“墨骨绛魂”概念，综合中国传统赋色观与现代色彩理论，从感知层、联想层、 象征层分析黑白与红色如何构成色彩叙事。研究认为，黑白以“墨分五色”的造型传统与“计白当黑”的空间哲学构成叙事 骨架，红色以“随类赋彩”的表意逻辑承载情感与哲思的灵魂，二者在张力结构中共同呈现了中国古典美学意境的当代转译。

This article uses the three colors black, white, and red in "Goose Mountain" to propose the concept of "ink bones and crimson soul". By integrating traditional Chinese color theory with modern color theory, it analyzes how black, white, and red form a color narrative from the perceptual, associative, and symbolic levels. The study suggests that black and white form the narrative framework through the formal tradition of “ink divided into five colors” and the spatial philosophy of "using white as black", while red carries the soul of emotion and philosophical reflection through the expressive logic of “coloring according to type.” Together, in a structure of tension, these colors jointly present a contemporary interpretation of the aesthetic realm of classical Chinese art.