版画作为中国传统视觉艺术极其重要的载体，其色彩语言绝不是简单的视觉装饰，而是工艺特性、文化内涵、审美 理想三者彼此关联的综合表达体系。由于雕版印刷工艺的客观限制，版画自然形成简洁纯粹、高对比度的色彩特征，同时在 传统文化与民俗信仰的浸润下，发展出富有意味的色彩象征体系。色彩既是画面形式的要素，亦是情感传递的媒介、视觉叙 事的手段，因此版画以基调营造情感、以对比强化情绪、以细节抒写情思，并用符号化、节奏化、留白化诸种方式建构叙事 逻辑。本文对版画色彩语言的艺术特征、情感机制与叙事逻辑进行深入分析，挖掘其文化价值，为当代版画创作的传承与创 新提供理论支撑，推动传统视觉艺术的当代转化。

Printmaking, as an extremely important carrier of Chinese traditional visual art, boasts a color language that goes beyond mere visual decoration. It represents a comprehensive expression system intertwining craft characteristics, cultural connotations, and aesthetic ideals. Due to the objective limitations of woodblock printing techniques, traditional prints naturally develop a simple, pure, and high-contrast color feature. Simultaneously, influenced by traditional culture and folk beliefs, they evolve into a meaningful color symbol system. Color serves not only as an element of image form but also as a medium for emotional transmission and a means of visual narration. Therefore, traditional prints create emotions through tone, enhance emotions through contrast, express feelings through details, and construct narrative logic through symbolization, rhythm, and negative space. This article conducts an in-depth analysis of the artistic characteristics, emotional mechanisms, and narrative logic of traditional printmaking's color language, explores its cultural value, provides theoretical support for the inheritance and innovation of contemporary printmaking creation, and promotes the contemporary transformation of traditional visual art.