本文以 20 世纪美国艺术家罗伯特·劳申伯格的早期代表作《白色绘画》为核心，聚焦作品中 “白色”这一核心色彩 载体，结合艺术家生平与二战后西方艺术转型的时代背景，系统剖析禅宗思想对其色彩选择、色彩表现逻辑及色彩美学观念 的深层塑造。通过解读《白色绘画》中色彩所蕴含的禅意内核，揭示劳申伯格如何以单色语言将禅宗哲学转化为视觉化的色 彩表达；并进一步探讨这种禅宗色彩美学，在西方现代艺术色彩语言革新中的独特价值，为跨文化语境下的色彩美学研究提 供东方视角。

This article centers on "White Paintings", the early representative work of Robert Rauschenberg, a 20th-century American artist. Focusing on "white"—the core color carrier in the work—and combining the artist's life experience with the historical context of the transformation of Western art after World War II, it systematically analyzes the in-depth shaping of Zen thought on Rauschenberg's color choices, color expression logic, and color aesthetic concepts. By interpreting the Zen essence embodied in the color of "White Paintings", this paper reveals how Rauschenberg transformed Zen philosophy into a visual color expression through a monochromatic language. Furthermore, it explores the unique value of this Zen color aesthetics in the innovation of color language in Western modern art, providing an Eastern perspective for the study of color aesthetics in a crosscultural context.