This paper focuses on the contemporary translation and practice of Song-style colors: it traces the origins of their aesthetic genes and the core of their artistic conception, starts from the aesthetic dimension of Song Dynasty colors, analyzes the color narrative logic in typical carriers of Song Dynasty art, and lays a theoretical foundation for contemporary design translation; takes the Hangzhou Asian Games as a case study to explore the path of "vivid" translation of Song-style colors, explains the connotation of "vivid" narrative design, and analyzes the translation method from the "poetic flavor" to the "painterly flavor" of Song charm; further, starting from the hierarchical construction of multi-scene narrative and the practical exploration of cross-media translation, it deeply probes into the expression method of "intergrowth of artistic conception" in the "vivid" narrative design of Song-style colors in the Hangzhou Asian Games, so as to provide reference theoretical support and practical lessons for the creative transformation of Song-style culture.

In the mountains of Cangyuan, Yunnan, the Wa people inherit their culture through the millennium-old brocade-weaving technique. As a "living historical record" of the Wa people, Cangyuan brocade, with black and red as its base colors and decorated with geometric patterns, conveys the ancestors' reverence for nature and praise for life. Its colors not only carry on the Wa's traditional color system but also form distinct regional characteristics due to geographical and historical factors; each color bears primitive beliefs and has a strong visual impact. Currently, academic research on it mostly focuses on its patterns and craftsmanship, while the aesthetic logic and cultural connotations behind its colors remain to be explored. Combining field investigations with aesthetic theories, this paper analyzes the symbolic system, composition rules and modern aesthetic value of its colors, and explores the visual code of this ethnic art.

In artworks, the language of color is a crucial means by which emotions are conveyed through visual expression. By employing the contrast and harmony of colors, viewers are offered with rich sensory stimulation, and they are guided to perceive the inner artistic spirit of the creator. In this article, the color language in Hu Richa's oil paintings is analyzed, and the nomadic life of ethnic minorities and grassland culture, as represented in his works, are explored, thereby allowing for an understanding of the unique characteristics of his artistic style. Through the analysis of the Mongolian style of oil painting language, more art enthusiasts can be led to an understanding of this distinctive art form. The unique grassland environment has shaped Mongolian painters with profound cultural heritage, distinct national character, and unique aesthetic features.

The brush-and-ink structure of traditional flower-and-bird painting constitutes a unique system infused with the wisdom of Eastern aesthetics, offering profound inspiration for modern color design. This study aims to conduct an in-depth analysis of its brush-and-ink language and color concepts, revealing their contemporary value in emotional expression, aesthetic atmosphere, and spatial layering, while constructing a systematic pathway for transforming classical aesthetics into contemporary design practice. The core of this transformation lies in translating its underlying aesthetic principles rather than simply imitating surface forms. By creatively reinterpreting the spirit of brush and ink, this research seeks to endow modern color design with rich Oriental cultural connotations, thereby effectively expanding its theoretical and practical horizons.

As the first Italian painter to win the Hans Christian Andersen Illustration Award, Robert Innosenti's bold and substantial picture book topics and consistent realistic style have to some extent filled the gap in the field of picture book illustration. This article takes "Erika’s Story", "Rose Blanche" and "The House" as core samples, and analyzes the application and treatment of colors in Innovent's picture books from two perspectives: the overall color tone selection of the picture books and the color changes in the pictures surrounding the emotional ups and downs. It explores how colors in his works express narrative emotions, convey important information to the viewers and guide their emotions.

The process by which children depict nature is a wonderful journey from perceptual awareness to artistic expression. This paper aims to explore how children transform the color elements in nature into unique artistic languages based on their cognitive development patterns. By applying children's cognitive psychology, a three-level cognitive model of "sensory reception - thinking processing - memory internalization" is constructed to systematically analyze the complete transformation path from the perception of natural color symbols to the formation of painting languages. The research shows that at the sensory level, children obtain natural symbols through visual, tactile and other sensory channels; at the thinking level, they organize and attribute meanings to the perceived materials by using strategies such as generalization and logic; at the memory level, through the repeated processes of the previous two levels, they construct and form stable painting schemas. The study reveals the intrinsic connection between children's painting expression and cognitive development, providing theoretical basis and practical guidance for children's aesthetic education based on cognitive laws.

Color perception ability is one of the core contents of junior high school art teaching. It plays a significant role in enhancing students' aesthetic ability and artistic literacy. It not only helps students grow comprehensively but also lays a solid foundation for their future artistic creation. This article expounds the significant importance of cultivating color perception ability in junior high school art teaching, summarizes the key contents involved in the cultivation of color perception ability, analyzes the existing problems in the cultivation of color perception ability in current junior high school art teaching, and proposes practical and feasible cultivation paths, aiming to enhance students' color perception ability and provide useful references for junior high school art color teaching.

With the continuous innovation of educational concepts and the increasing advancement of technological means in China, color learning for young children, as an important component of early education, also faces the need for innovation and optimization in its teaching methods. However, the current traditional color teaching methods still have certain limitations in stimulating children's interest and promoting cognitive development. To address these issues, this study proposes a series of effective measures aimed at improving the efficiency and quality of color learning for young children. Research has found that introducing visual teaching strategies can significantly improve children's understanding and application abilities of colors. Therefore, early childhood education institutions in various regions should flexibly use visual teaching strategies based on actual situations, increase investment in educational resources, and pay attention to teacher training to improve professional level and teaching quality.

Color teaching in primary school art is not only the basic stage of visual cognition and artistic techniques, but also has a crucial significance in stimulating students' creative thinking. However, in current teaching, there are generally situations such as content stereotyping, restricted expression, and single methods, which hinder students' free expression and imagination cultivation in color practice. Facing this predicament, this article analyzes the interactive relationship between color teaching and creativity, providing optimization paths from four dimensions: content design, teaching strategies, classroom organization, and evaluation systems. It also explores practical forms and improvement suggestions for stimulating students' creative potential in color teaching with teaching examples, with the aim of providing effective references for primary school art teaching.

The rise of AIGC technology has injected a new creative mechanism into new media art design, leading the generation and expression of colors from empirical aesthetics to intelligent generation. This article takes AIGC technology as a starting point to explore the application logic and creative strategies of color in new media art design under intelligent generative mechanisms. By systematically reviewing AIGC's application pathways in algorithm-based generation, emotional recognition, and multimodal integration, and analyzing its reconstruction of the artistic creative process from a human-machine collaborative perspective, it is evident that AIGC is driving new media art toward a "algorithm-perception-aesthetics" trinity creative system. The core of art design is transitioning from technical execution to conceptual guidance, offering new directions for the intelligent development of future visual arts.

Animation with intangible cultural heritage (ICH) themes serves as a key vehicle for advancing the creative transformation and innovative development of China’s fine traditional culture. As a core visual element in such animations, color symbols play a crucial role in cultural inheritance and artistic expression. Taking typical works such as Yao-Chinese Folktales and White Snake: Origins as examples, this paper focuses on the practical application paths of color symbols in ICH-themed animations, analyzing their application logic in materializing the cultural connotations of ICH, shaping distinct character traits, and accurately creating scene atmospheres. By integrating cases of these works, it explains the supporting value of color symbols in enhancing the visual expressiveness and cultural communication power of animations. The research provides theoretical references that combine cultural significance and practicality for the creation of ICH-themed animations, helping ICH achieve broader contemporary communication through the form of animation.

Color is the primary expressive language of watercolor art, with the interplay of "water" and "color" forming its soul. Located in the Lingnan region, Guangdong has developed a unique artistic style in watercolor techniques and color language due to its distinctive climate, profound cultural heritage, and open, inclusive humanistic characteristics. This study systematically examines the intrinsic principles of the interaction between "water" and "color" in Guangdong watercolor paintings, analyzing the distinctive aesthetic connotations of their harmonious interplay. From the color blending in wet-on-wet techniques, precise layering under controlled water application, to the texture generation in water mark shaping and the color expansion achieved through mixed media integration, the paper traces the evolution of Guangdong watercolor's color language from experiential summarization to standardized construction through the works of veteran artists such as Chen Haining and Huang Zengyan, as well as emerging talents like Liang Guohui and Su Junquan. Research confirms that the interplay of watercolor techniques and color language not only establishes a solid foundation for the aesthetic system of Guangdong watercolor but also serves as a vital expressive form that embodies regional characteristics and carries the spirit of the times, giving rise to the distinctive "Guangdong School of Watercolor.

The "black" and "white" in Ma Yuan's landscape paintings are in a dialectical unity, which is an important factor in the formation of the artistic conception of his landscape paintings. This article takes his representative works as the object of analysis, and starts from the spatial arrangement of the "corner composition" and the ink color expression of the "broken ink" method, to deeply explore how Ma Yuan constructs the "empty and hazy" artistic conception with the interplay of "black" and "white".

This study transcends the linear diffusion paradigm in enamel color studies by unveiling a polycentric interactive network of Eurasian enamel technologies from the 13th to 18th centuries. Through a tripartite analytical framework integrating technical experimentation, chemical data, and archival documentation, we identify three technological iterations in Chinese enamel development: foundational glaze formulations in the Yuan Dynasty, establishment of cobalt-blue and warm-tone systems in the Ming Dynasty, and gold-pink innovation during the Qing Dynasty. Key findings reveal Persian technological influences in Yuan-Ming glaze materials, while Qing gold-pink enamels synthesized European arsenic reduction techniques with indigenous formulations. This evolutionary process constitutes a transcontinental translation of chromatic technologies across civilizations, subverting the "core-periphery" narrative. Our research substantiates the hypothesis of Yuan Dynasty origins for Chinese enamel arts and illuminates the techno-collaborative mechanisms underlying the formation of global chromatic languages.

To tackle the pain points of traditional color sorting systems, namely low efficiency, high misjudgment rates, and excessive dependence on manual operations, this research has developed an intelligent color sorting system with Inovance PLC as its central control hub.By optimizing hardware layout, refining the color recognition algorithm, and conducting software programming and debugging, the system enables fully automated operation throughout the entire process, from material loading, transfer, and precise color identification to sorting and warehousing. Ultimately, it achieves the core objectives of continuous multi-batch sorting, low error rates, and unmanned operation, offering technical support for industrial scenarios related to color sorting.

Biodiversity serves as the cornerstone of Earth's ecological stability.As a major biodiversity province,Yunnan faces challenges in public awareness and traditional science communication effectiveness,where digital technology provides crucial support for educational advancement.This study addresses the application gap of color perception theory in biodiversity education through interactive design,building a"color-emotion-cognition"transmission chain rooted in Gestalt psychology and color psychology.Guided by three principles—learning context adaptability,task progression,and systematic evaluation—the design employs strategies including dynamic grouping,tiered task design,and a"dual-track three-dimensional"assessment framework within Yunnan's ecological context.This innovative approach establishes connections between"color characteristics,species attributes,and ecological value,"fostering public awareness of biodiversity conservation.

Campus culture, which embodies educational philosophies, management principles, and institutional regulations, serves as a vital medium for shaping adolescents' values and behavioral norms. As an intuitive visual symbol, color subtly influences the psychology and behavior of both teachers and students, playing a crucial role in cultivating campus cultural atmosphere and enhancing its implicit educational functions. The integration of these elements helps materialize campus culture through visual expression and emotional communication, alleviating academic pressure, stimulating creativity, and promoting holistic student development. This article examines the construction of color symbolism in junior high school campus culture. Building upon theoretical analysis, it identifies challenges in establishing specific color symbolism systems and proposes practical strategies to elevate the quality of campus cultural development.

As a core element of graphic design, color plays a decisive role in visual communication effectiveness. This paper systematically explores the impact mechanisms and enhancement strategies of color design on visual communication effects in graphic design. The study first analyzes the fundamental functions and principles of color in information delivery, visual guidance, and abstract conceptual expression. It then delves into how color design exerts core influences on visual communication effects through four key pathways: enhancing visual appeal, optimizing information delivery efficiency, evoking audience emotional resonance, and shaping brand perception. Building on this foundation, the paper proposes color design optimization strategies guided by target audience, information hierarchy, brand tone, and innovative technologies, aiming to provide theoretical references and practical guidance for design practice.

In the fierce market competition, the shelf visual impact of product packaging serves as a key factor in attracting consumers' attention. This study aims to explore the specific effects and mechanism of action of the complementary color strategy, a specific color approach, in enhancing the shelf visual impact of packaging based on the theories of color science and visual psychology. The process involves a comparative analysis of representative packaging cases on the market to explain the principle of the strong visual contrast produced by complementary colors, summarize the application strategies and differential performances of complementary colors in actual design, and construct a simple evaluation model to measure their visual effectiveness. The research conclusion indicates that the scientific application of complementary colors can significantly enhance the visibility and recognizability of packaging in a complex shelf environment, but it is necessary to pay attention to the harmony of color area ratio and lightness and purity to avoid visual discomfort.

The widespread application of digital media has reshaped the creative logic and dissemination methods of graphic visual design, transforming color presentation from the static and fixed mode of traditional print media to the dynamic and variable characteristics in the digital environment. Focusing on the field of graphic visual design, this paper conducts a systematic exploration from three dimensions: the technical impact of digital media on color systems, the core principles of color design, and audience perception-oriented color optimization strategies. It constructs a theoretical framework and practical methodology for color design adapted to the digital context. This research not only provides precise guidance on color application for graphic visual designers in the digital era but also offers theoretical support and practical paradigms for promoting the innovative development of graphic visual design in the digital context.

In the era of digital media, dynamic graphics have become the core carrier of information communication, and its color presentation and rhythm control directly affect the audience's cognitive efficiency and emotional experience. Currently, the visual communication field is facing the double challenges of high information density and visual fatigue, and the traditional static color theory is difficult to adapt to the perceptual needs of continuous changes in space and time in dynamic scenes. Along with the development of interactive technology, there is an urgent need to establish a systematic design paradigm for color emotion regulation and visual motion guidance. Therefore, this paper discusses the color rhythm generation mechanism and visual guidance optimization path of dynamic graphics, in the hope of providing quantifiable aesthetic control basis for information visualization design in multi-screen interactive environment.

By analyzing the cultural connotations and educational value of traditional Chinese colors, we introduce Chinese traditional color content into the color composition course of film and animation majors and implement specific teaching strategies. Thus, students can understand the cultural heritage of traditional colors and the rules of color composition, and establish a design concept of "using traditional colors as the basis and modern design as the means". Enhance the practical ability to transform traditional color elements into modern design language, and be able to flexibly apply color attributes, color contrast and harmony, color psychology, and color composition in different dimensions of design. While enhancing cultural identity and innovation awareness, promote the creative transformation and innovative development of traditional Chinese color aesthetics in the contemporary design field. This study provides practical reference for the teaching of color composition in film and animation majors, which is of great significance for inheriting and promot ing excellent traditional Chinese culture.

visual symbols have the characteristics of high concentration and rapid transmission of complex information, while color can shape emotions, create atmosphere and convey cultural heritage invisibly. Therefore, this paper makes an in-depth discussion on the information bearing and recognition function of visual symbols, the emotional stimulation and narrative ability of colors, and how they work together in various contemporary application scenarios to achieve better communication effects, it aims to provide a useful perspective for design practice and help creators to create excellent visual communication works with high recognition, clear information transmission and strong emotional resonance.

Traditional Chinese color palettes, as important carriers of Chinese civilization, embody profound cultural genes and aesthetic philosophy. Their inheritance and development face new opportunities and challenges in the digital age. Technological innovations represented by AI-generated content (AIGC) offer innovative pathways for the revitalization of cultural heritage, while virtual reality (VR) technology reconfigures cultural perception and dissemination through immersive experiences. The integration of these two technologies provides a systematic solution to address the challenges of translating and applying traditional color charts in modern contexts. Therefore, this paper explores the revitalization mechanisms and cultural translation models of traditional Chinese color palettes based on AIGC in VR intangible cultural heritage experiences, aiming to establish a new digital paradigm for intangible cultural heritage protection and promote the creative transformation and contemporary dissemination of traditional culture in immersive environments.

Under the background of global integration, there exists some problems of the serious homogenization of clothing products and lack of cultural connotation in our country. Targeted at this phenomenon, this paper, from the perspective of Kwon- Glazed Porcelain system, applies the traditional color techniques to the practice of modern clothing design by the refinement and summary of color collocation. The integration of traditional culture and regional art and modern clothing design shows not only the organic inheritance and observation of traditional culture, but also the expansion of the innovation dimension of clothing design under the cross-cultural background. It is expected that this research can provide valuable reference for relevant fields.

The color of "Huashan Rock Painting" can be integrated with cultural and creative design under AI drive, further enriching the style and connotation of cultural and creative design. This article extracts the color elements contained in "Huashan Rock Paintings" through the Stylegan model and high-resolution collection, and provides more possibilities for the application of traditional art in contemporary cultural and creative industries through case studies. Research has shown that design forms represented by AI not only enhance the efficiency of reshaping traditional art, but also achieve a balance of social, cultural, and economic values to a certain extent, providing a new paradigm for the inheritance and dissemination of rock art cultural heritage for reference.

Color, as an important visual language in film and television art, not only has the functions of decoration and expression of meaning, but also plays an irreplaceable narrative role in character shaping. Based on the theory of color psychological effects and in combination with specific film cases, this article systematically analyzes the three major narrative functions of color in the shaping of film and television characters: defining character identities, externalizing character inner thoughts, and depicting character personalities. It further explored how the psychological effect of color influences the audience's empathy for the characters, their perception of their positions, and their memory of their personalities. Taking "Amélie Poulain" as an example, this paper analyzes the psychological narrative strategies and effects of color in specific films. Research shows that color, through its associative and symbolic meanings, has become a key narrative tool with deep psychological influence in the shaping of characters in film and television.

This study centers on the modern reinterpretation of traditional colors. It first clarifies the conceptual framework and interplay between visual art design and cultural symbols, while analyzing the semantic formation mechanisms of traditional colors as cultural markers. Subsequently, it conducts a systematic semiotic analysis of cultural symbols in visual art design. Finally, through contemporary design case studies, it proposes actionable strategies for modernizing traditional color interpretations. The research aims to provide theoretical foundations for innovatively applying traditional cultural symbols in visual art design, fostering deeper integration between traditional culture and modern design, and achieving dual enhancement of cultural and aesthetic values.

This study explores how exhibition color, viewed from the perspective of regional culture, contributes to narrative construction and emotional experience in historical museums. Based on regional color characteristics, the research reviews existing theories on color, narrative, and spatial experience, and examines the exhibition spaces of the Zhejiang Museum, Hubei Museum, and Shanghai Museum. The analysis shows how different regional backgrounds shape color use in exhibition spaces and how color moves from a physical feature to a cultural meaning. The study also outlines a color-experience path that includes emotional arousal, narrative engagement, and cultural identification. The findings indicate that color is not only a visual element of exhibition design but also an important factor in guiding historical understanding, emotional response, and cultural recognition. This research provides practical and theoretical support for color design in historical museums grounded in regional culture.

As core carriers of Eastern artistic spirit, traditional calligraphy and painting museums present colors not merely as visual arrangements, but as cultural mediums deeply engaging with public aesthetic perception. This study adopts an interdisciplinary theoretical perspective from art studies and design psychology, focusing on the context of small traditional calligraphy and painting museums. It analyzes the alignment between color language and the intrinsic spirit of calligraphy and painting art, thereby elucidating the profound guiding mechanisms of such color configurations on viewers' aesthetic experiences. By exploring contemporary translations and practical approaches for traditional color aesthetic symbols, the research establishes a scientific-artistic design paradigm for museum exhibitions. This contributes to enhancing public aesthetic cognition and strengthening cultural identity, ultimately highlighting the social functions of art spaces in human cultural evolution.

Kindergarten art color education is an important means to cultivate children's aesthetic literacy and stimulate their creativity. Regional culture, as one of the important resources in preschool education, with its rich content, serves as a driving force for curriculum innovation, and its unique elements bring new opportunities for the development of regional preschool education. This study starts with the regional culture of Huai'an, theoretically clarifying the point between regional culture and kindergarten art color education. Based on this, it deeply explores the color resources of Huai'an's natural ecology, folk customs, historical and cultural aspects, thereby constructing a four-in-one kindergarten art color education curriculum system of "objective-content-implementation-evaluation". It attempts to solve the problem of homogenization existing in current kindergarten color education, allowing children to understand the unique regional culture of the local area and learn color knowledge through practice.

Color is a vital symbol conveying emotion and culture. Traditional color generation mechanisms face challenges in consistency and cross-cultural communication. Breakthroughs in Artificial Intelligence (AI), particularly in image recognition and semantic analysis, offer new pathways. This paper examines the logic of AI-involved color generation from the perspective of semantic-emotional mapping. The study finds that AI can generate color schemes through keywords and emotional matching, yet it faces limitations regarding cultural sensitivity and originality. By analyzing cases such as "Digital Dunhuang," the paper explores AI's application in cultural heritage restoration and design education, emphasizing the importance of cultivating critical usage ability. It concludes that the future lies in integrating technology and culture within a "human-AI co-creation" framework, positioning color as a medium that connects emotion and identity.

This study examines how bedroom colors in Tibetan homes affect emotions and sleep, testing pleasure as a mediator. Field research in Lhasa villages revealed interface-specific effects: ceiling and overall hue enhancement increased pleasure, while wall hue elevation reduced arousal. For sleep, overall hue extension improved sleep duration and structure, whereas wall and floor hue increases raised nighttime awakenings. Analysis confirmed pleasure fully mediates the overall hue-sleep quality relationship, supporting the "color→pleasure→sleep" pathway. This model offers new evidence for environmental psychology and practical guidance for plateau housing design.

This article takes Atlas silk as its research object, employing methods of literature review and semiotic analysis to study its historical evolution, visual characteristics, and cultural symbolism. It focuses on analyzing the formation reasons and socio-cultural significance of the main colors of Atlas silk, exploring the cultural logic of its color system and its translation into modern design. Atlas silk uses black, red, and yellow as its core colors to construct a unique color coding system. Through innovative digital design, its colors have been reconstructed and extended in cultural and creative products, clothing, and other fields. Through the "color translation" within the contemporary design context, it provides new ideas for shaping regional visual images and revitalizing intangible cultural heritage.

This paper presents a systematic study on the CMF (Color, Material, Finish) design strategies for conference seating, centered on the User Experience (UX) perspective.The research identifies pain points such as delayed CMF decisions, conservative color strategies, and a focus on single-dimensional material performance. It establishes a three-tiered UX dimension framework based on physiological, psychological, and emotional experiences. The paper proposes a "Triple Synergy Logic" framework, composed of Functional Synergy, Perceptual Synergy, and Emotional Synergy, as the core systemic strategy.Specific strategies emphasize: color to achieve atmosphere regulation and enhanced focus; materials to balance comfort, acoustic suitability, and sustainability, harmonizing physical and tactile experience; and finishes to ensure maintenance convenience and perceived quality. A comparative analysis of iconic case studies validates the framework's effectiveness in achieving a balance between functionality and emotional resonance across diverse scenarios.

To improve the store entry rate, trial wear rate and sales performance of clothing stores, this paper adopts the method of combining case analysis and practical summary to explore the application logic and practical skills of color matching in store display. By sorting out the color application principles of core scenarios such as store appearance, window display and in-store planning, four special color matching methods including accent color and separation color are extracted, and a five-step display optimization process of "cleaning - toning - grouping - highlighting - coordinating" is summarized. The research shows that scientific color matching can enhance the visual appeal of stores, convey brand style, promote the associated sales of products, and provide practical reference for the terminal display of clothing brands.

Against the backdrop of China's underdeveloped children's life cognition education system and the "insufficient color adaptability" of traditional carriers, children's color psychology provides a scientific basis for the visual design of life cognition picture books. Taking the original picture book Good Things Happen as an example, this paper explores the application of this theory through literature research, case analysis and design practice. Based on children's color perception development characteristics and combined with the picture book's narrative framework, the study constructs a stage-adaptable color design scheme. Verified by practice and feedback, this application can alleviate children's anxiety about themes such as family separation, convey the cognition of "life continuity", and provide practical reference for the color design of similar picture books.

Color design can provide certain support for unmanned inland ships, therefore, for unmanned inland ships, it is necessary to achieve visual effect improvement through reasonable exterior color design strategies. Based on this, the article analyzes the significance of color and visual effect design for the appearance of unmanned inland ships, and proposes design strategies including safety function oriented color design, coordination and unity of color aesthetics and hull form, environmental adaptability and visual sustainability design, aiming to provide some assistance for the appearance design of unmanned inland ships.

Based on the dichromatic visual characteristics of dogs, this study established a color design system for dining spaces centered on the '3C Principle' (Color Contrast Optimization, Standard Color Coding, Dynamic Hue Regulation). The research indicates that dogs are particularly sensitive to blue and yellow tones, so their visual perception should be fully considered in spatial color design. In practice at 'Huniu Farm', color coding was applied with a coral orange feeding area, sky-blue drinking area, dark blue toilet area, and gray-blue resting area to effectively guide pet behavior and improve space utilization. This design approach not only enhances dogs' eating enthusiasm and spatial orientation abilities but also creates a comfortable dining environment for users, providing both theoretical and practical support for human-pet cohabitation space design.